A stickler for detail, Weber noticed that extras were having conversations onscreen entirely unrelated to the action, so she enlisted Marion to write dialogue for the extras and appear among them onscreen.
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True to her word, Weber put Marion to work learning the business from the ground-up, doing everything from writing press releases to painting sets to cutting film, and learning about every aspect of filmmaking.Īt Bosworth, under Weber, Marion also got her first crack at writing for the screen. While Marion yearned to be behind the camera, Weber insisted on hiring the beautiful Marion as an actress with the promise of her learning the trade from the set. Marion longed to learn the art of filmmaking and approached Weber, who helped to run Bosworth studios.
There, she befriended screenwriter Adela Rogers who introduced her to successful female filmmaker Lois Weber. Marion moved to Los Angeles with her second husband where she encountered the fledgling film industry as it worked to stake a claim as a legitimate art form. This led to a position as a reporter with the San Francisco Examiner, which led to her first encounters with actors and jump-started a prolific career. Marion pursued work as a journalist, hoping working under deadline would improve her abilities as a writer. From a young age, she wrote poems and short stories (publishing them in local papers, Sunset magazine, and more), as well as enrolling in art classes, which led to jobs as a commercial artist.
Marion was also a true champion of fellow women, pushing for her fellow writers and directors to get hired, as well as working to write nuanced, dynamic material for actresses.įrances Marion was born Marion Benson Owens on Novemin San Francisco. This month’s Dame in the Game, Frances Marion, was part of an early group of women writers in Hollywood who dominated the industry, writing over half of the scripts copyrighted between 19.įrances Marion was a standout in this group of trailblazing female writers-writing over 325 scripts (covering every genre) in her lifetime, working as an overseas journalist in World War I, and serving as the only woman on the first board of directors of the Screen Writers Guild.
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